Spanish accordionist Sofía Ros has quickly established herself on the international classical music scene, with standout performances at New York’s Carnegie Hall, Vienna’s Konzerthaus, and the Musikverein Vienna. A winner of the Trophée Mondial de l’Accordéon and the Manhattan International Music Competition, as well as a finalist in the Royal Over-Seas League Competition, her talent has been widely recognized by critics and featured on programs such as BBC Radio Scotland’s Classical Now and BBC Radio 4’s Front Row. She has performed in prestigious venues across Europe and the UK, including London’s Purcell Room, Edinburgh’s Queen’s Hall, and Vienna’s Alten Rathaus. In Switzerland, she was part of the 1001 Harmonies Festival, giving recitals at Temple du Bas and Salle Faller. Her career has also taken her to Texas, where she has performed with the Irving Symphony Orchestra, Plano Symphony Orchestra, and San Angelo Symphony Orchestra. She has been invited multiple times to the Edinburgh International Festival, in addition to appearances at the St. Magnus Festival, the East Neuk Festival, and the Emerging Artists Scheme at Usher Hall in Edinburgh. Throughout her career, Sofía has collaborated with esteemed orchestras and conductors, including her performance of Piazzolla’s Aconcagua Concerto under Maestro Héctor Guzmán in the United States and Maestro Alastair Willis with the Vienna Opera Ball Orchestra. Her presence in the classical music world has been noted not only for her technical virtuosity but also for her expressiveness and ability to connect deeply with audiences. At the XL Premio de Interpretación Oftalvist of the Sociedad de Conciertos de Alicante, her performance received high praise from José Antonio Cantón in Revista Ritmo, who wrote: "The artistic trajectory of this exceptional performer is destined to secure an outstanding place among the world’s leading specialists in her instrument. The fusion of her body with the accordion into a single sonic entity makes her a privileged artist of musical interpretation."